Events of the 76th Season of Manchester Gilbert and Sullivan Society

2007/2008

September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008

September 2007

"I'm one of the family"

Tuesday 23rdSeptember 2007

 

A very special extra meeting;
Scott Hayes
, Arthur Sullivan's great, great nephew, will speak.

 

This was a magic evening with Scott. He brought with him the essence of Sir Arthur Sullivan. To hear him read the diaries of Sir Arthur brought him into the room with us on that September evening. Scott is an american gentleman and it was a privelidge to meet him.

October 2007

"Rend with songs the air above"

Sunday 14th October 2007

2:30 pm

The Sheila Taylor meeting.

Concert by

Donald Maxwell and Rebecca Rudge

Concert by Donald Maxwell, bass baritone
and a young star of the future Rebecca Rudge, soprano
accompanied by Duncan Glenday.

This was an afternoon of great entertainment by three professionals. The dominating voice of Donald Maxwell filled the hall with with his wonderfull singing, humerous anecdotes and wry sense of humour. Rebecca displayed her talent with great skill and her singing is a great pleasure on the ears. We were arrayed with a splendour of song , opera and operetta, plus an "A to Z" of G&S as we were presented with pieces from many of the operas. I personally am looking forward to the next event where we will be meeting Donald and Rebecca again.

November 2007

"They sing choruses in public"

Tuesday 6th November 2007

 

Something different; an opportunity to go to a "Singalong" Pirates evening at Buxton Opera House

An evening at Buxton Opera House,
with instruction from principals
Donald Maxwell and Linda Ormiston.

Contact Jean Dufty or Wilf Deakin for further information.

What a great evening. Here we had a potted version of the pirates with excellent singing from the principals. We were taught some of the choruses culminating with audience participation on stage. Policemen and Pirate costumes provided.

Altogether a really enjoyable night.

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December 2007

"in words succinct"

Tuesday 4th December 2007

"the golden melody"
 

Lecture/recital by Bruce Graham

 

Lecture/recital by Bruce Graham, bass-baritone accompanied by David Wheeler.

Bruce performed with the original and the new D'Oyly Carte and performs with Carl Rosa and at Buxton.

January 2008

"Let's thoroughly enjoy ourselves"

Tuesday 9th January 2008
Please note date, second Tuesday in month

 

Social Evening

 
 

Please note date, second Tuesday in month.

"Let's thoroughly enjoy ourselves"

Social Evening with Bring and Share refreshments.

February 2008

"In search of wisdom's pure delight, ambitiously we soar"

Tuesday 5th February 2008
7:30pm

The Norman Beckett evening.
 

Study evening on Princess Ida
presented by
Paul Taylor.

 
 

What an excellent night. Well researched and presented ably helped by Chris Brown , quoting from various extracts.

An event enjoyed by all.

March 2008

In this college, useful knowledge, everywhere one finds.

Tuesday 4th March 2008

 

 

 

Click here to visit RNCM website

 

Concert by

Ella Kirkpatrick

and

Alasdair McCall

from the Royal Northern College of Music

accompanied by

James Eastham

 

Ella and Alasdair are highly recommended and were soloists in Salford Choral Society's Messiah last year

Alasdair played the Mikado at Gawsworth recently and Ella had excellent reviews for her recent performance as Norina in Don Pasquale at Clonter Opera recently

Yet again the committee outdoes itself. Proving us with this spendid young talent. The programme was not only of Gilbert and Sullivan but many other items to reflect their talent.

Wonderful !

April 2008

On each of us thy learning shed

Tuesday 1st April 2008

 

 

 

David Mackie,
that great expert in Sullivan's music,
will enthrall us once again talking about Sullivan's music,
especially his contrapuntal melodies;
between orchestra and singers as well as
the double choruses.

 

 

Review by Chris Browne

For the April meeting the Society was entertained and instructed by the Sullivan expert David Mackie.

How the music for the Savoy Operas is created may not be of especial interest to many lovers of the music, but David's presentational skills drew us all in through his enthusiasm and knowledge of the subject.

A basic outline was given to demonstrate essential elements of musical composition : melody, harmony and counterpoint (punctus contra punctum "note against note"). This groundwork was necessary as the main focus of the talk was to explore Sullivan's double-choruses. The provenance of this device was traced back to the works of Bach and Mendelssohn no less.

Examples were played on the (unmoveable) grand piano :Jesu, Joy of Man's Desiring (this is the title of a transcription by the English pianist Myra Hess (1890-1965) of the chorale that ends each part of the cantata Herz und Mund und Tat und Leben, BWV 147) and Mendelssohn's St. Paul oratorio. Mendelssohn, was working in Leipzig as conductor of the Leipzig Gewandhaus Orchestra from 1835 (Bach was Cantor of Thomasschule, adjacent to the Thomaskirche - St. Thomas's Lutheran Church - 1723-1750).

Mendelssohn, an enthusiast for the by now unfashionable Bach, concentrated on developing the musical life of Leipzig and in 1843 founded the Leipzig Conservatory. This was where Sullivan studied from 1858-1861 having won the Royal Academy of Music Mendelssohn scholarship in 1856 (where he started his studies).

An early example of the use of counterpoint (or double-chorus technique) was demonstrated in the finale of Sullivan's Festival Te Deum (Crystal Palace, 1872) where the tune St. Anne (1708 by William Croft) was pitted against a jaunty military march.This perfectly captured the joy at the recovery of the Prince of Wales (later Edward VII). The critic for the Musical Times expressed himself in italics such was the surprise at Sullivan's daring originality.

Having been closely connected with Sullivan's music as repetiteur and assistant conductor with the D'Oyly Carte Opera Company (1976-1982) David has a particular insight into the unstoppable flair exercised by Sullivan's talent. Rarely was an opportunity missed to add an element of surprise to enrich the score. Sullivan thought orchestrally, and the operas are full of delightful examples of orchestral brilliance (e.g. Climbing Over Rocky Mountain from Thespis and Pirates). David warmed to his subject with a canter through as many examples of double-choruses in the operas that were possible to fit into the normal time-span of the Society's monthly meetings!

A thorough investigation in the second half of the evening examined in detail the clever interweaving and adaptation of musical themes from The Sorcerer (e.g. as developed in the Act I duet for Lady Sangazure and Sir Marmaduke) . In all here was enough material for a whole day of fascinating study. A monograph by David would be a marvellous addition to the library of any lover of G&S. Even more fascinating would be David's completion of the Lord Chancellor's fugue from Iolanthe (a passing comment from David which I'd like to hold him to!).

An evening such as this means you invariably come away from the meeting richer than when you arrived. For example, I had no idea that Gounod's Ave Maria was applied to Bach's First Prelude. This is an example used to show how two tunes can be amalgamated, even by different composers (in the same way Sullivan uses St.Anne against which to set his March).

So finally one is left knowing so much more of Sullivan's techniques. What isn't clear is why his music always sounds so spontaneous, and works so well in the Theatre. His robust musical training must have given him the foundation on which to establish and develop his fount of musical talents.

Many thanks to David for giving us special compositional insights that perhaps help to explain the perennial and enduring success of the music of Sir Arthur Sullivan, and the Savoy Operas.

 

Christopher Irvin Browne BA(Hons)

May 2008

In punctual and business-like fashion

Tuesday 6th May 2008

 

Annual General Meeting
plus entertainment

 

 

Picture Index

The Gilbert and Sullivan Society : Manchester

Secretary's report of the year 2007/2008

We began this season with an extra meeting on September 25th when we took advantage of Sullivan's great, great nephew Scott Hayes being in England and speaking to the Sullivan Festival and invited him to talk to us a few days later. This was a very pleasant evening when he spoke about his family, descended from Arthur Sullivan's brother Fred, read letters from Arthur Sullivan and stressed how kind Arthur was and how well he looked after his brother's family. Afterwards there was time to chat individually to Scott and his wife Kitty. There was real thrill in meeting someone actually related to one of our heroes, added to which Scott has some of the charm and easy way with people that we understand Sir Arthur had.

The October meeting was originally to be an "up-and-coming" singer's concert by a star or stars of the future. We invited Rebecca Rudge, soprano, whom some of us had heard sing. To our delight she said that Donald Maxwell, her singing teacher and personal friend, had offered to come with her and perform for a similar fee to that we offered her. We would have thought that we could not afford him and that he would have no free time for a small event. With her clear soprano voice and his fine bass-baritone we were treated to a delightful concert of G&S and other songs. The accompanist was Duncan Glenday from the RNCM. Ray Walker noticed a Singalong Pirates was to be performed at Buxton Opera House for one evening only on November 6th, the very day on which we meet, and suggested that we make it our November meeting. Twenty members enjoyed this event, with professional principals and the audience as chorus. In the first half Linda Ormiston brushed up our knowledge of the choruses with skill and humour. After the interval the opera was performed with Linda, Donald Maxwell, Rebecca Rudge and Martin Lamb among the principals, and an amusing synopsis of the plot read by Donald replacing the dialogue. A dozen or more members met beforehand for a meal and it proved to be an enjoyable and rather different evening.

In December another fine bass-baritone, Bruce Graham, gave us a lovely evening of songs, both G&S and other, interspersed with tales of his performing life with the old and new D'Oyly Carte, Carl Rosa and other professional companies and some thoughts of what he particularly admired about Sullivan's music and Gilbert's wit and words. The January meeting was a social with contributions from members and delicious bring-and-share refreshments. Attendance is usually low in January, but those who were able to come thoroughly enjoyed the evening.

In February Paul Taylor gave us a most interesting Study Evening on Princess Ida. We appreciated how much work had gone into preparing it; excellent in content and presentation and we found it informative and enjoyable. We did indeed "soar to empyrean heights of every kind of lore, in search of Wisdom's pure delight".

The original plan for March was that members of Manchester University G&S Society, affectionately known as MUGSS, would present a concert, but in the end this was not possible as their production this year was at the end of April. At short notice Alasdair McCall, bass-baritone and Ella Kirkpatrick, soprano, both from the Royal Northern College of Music, accompanied by James Eastham, gave us an excellent concert of G&S and a variety of other music. Two more excellent voices, with excellent acting as well.

Lastly in April our vice-president and friend of many years, David Mackie, former repetiteur and assistant conductor with the original D'Oyly Carte, gave us a fascinating talk with much illustration at the piano about Sullivan's counterpoint melodies. We know the double choruses, but most of us had not noticed the many examples between singer and orchestra. This talk began with the history of the first uses of counterpoint.

In addition to our meetings of course we each receive three copies a year of what I consider an excellent magazine. And many of us also enjoy the delights of G&S and each others' company at various performances throughout the year, professional and amateur, including The Gilbert and Sullivan Festival at Buxton. We were very sad that Liverpool Society had to close due to lack of members able to attend meetings. They used to be a very lively, active Society and we have always had a special relationship with them. We were pleased to welcome seven of them to membership of our Society and some of them joined London, but we knew that it was unlikely that any would be able to attend meetings, due to age and lack of mobility.

Paul will report in more detail on membership. Membership numbers may have stayed fairly steady, but attendance at meetings has declined over the past ten years, and from 37 average attendance two seasons ago to 28 this season. I am concerned about this; other "Branches" have dwindled and dwindled until they have to close because they cannot afford to put on meetings and are embarrassed to ask people to sing to an audience of a dozen or so. We really do need more members and ones who will be able to attend meetings. One of the best sources of recruitment has always been people bringing friends and I so urge everyone to think of anyone they know who would enjoy our meetings. Also to take more posters and leaflets to their local library and other venues. We are grateful to Alan Reiblein for creating and maintaining our website and keep hoping that it will bring in new members. Remember also, if you have to miss a meeting, you can look on the website for a short report and photos and the list of notices giving details of upcoming local performances. If you have not got your own home computer or a grandchild, nephew, niece, friend or neighbour remember there are some computers in every library. I feel sure that there are people around who would like to join but don't know about us.

So, in conclusion, I think we have all enjoyed the past season; our meetings are so good that we should share them with more enthusiasts.

Jean Dufty Secretary May 2008

 

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